Jagadakeer: Apology to the Body by Lory Bedikian

Jagadakeer: Apology to the Body presents the voice of a daughter of immigrant parents, now gone, from Lebanon and Syria and of Armenian descent. In this five-part testimony Lory Bedikian reconstructs the father figure, mother figure, and the self. Using a sestina, syllabics, prose poems, and longer poetic sequences, Bedikian creates elegies for parents lost and self-elegiac lyrics and narratives for living with illness. Often interrupted with monologues and rants, the poems grapple with the disorder of loss and the body’s failures. Ultimately, Bedikian contemplates the concept of fate, destiny (jagadakeer), and the excavation of memory—whether to question familial inheritance or claim medical diagnoses.

“Jagadakeer: Apology to the Body is a capacious lyric narrative, of emigration, of history, of interiority, polyglot, with a memory reaching as far as Aleppo and as near as today’s biopsy results.”— Marilyn Hacker, author of Calligraphies: Poems

“Lory Bedikian has created a monument of rage in facing the march of calamities against a life. That list of constant misfortune begins with her family displacement from a homeland, the multiple poverties of a refugee existence, through each parent’s loss. Each loss of an identity displaces the voice of the narrator, within time, between persons, even dismantling emotion. Is it the mother or daughter speaking; against each other, or in a rage of love for each other? Is it the caregiver or the patient who rages against the illness’s damage to love? This kind of shapeshifting allows varieties of poetic form, all engaged in this consistently coherent polemic of rage. How deeply and broadly this rage can inform a life. Jagadakeer’s world will be very disconcerting—yet rewarding—to readers of this exquisitely composed work.” — Ed Roberson, winner of the PEN/Voelcker Award for Poetry and author of To See the Earth Before the End of the World

“Bedikian’s poems speak to what becomes ‘the ritual of tears,’ of the long trip to America, ‘the east coast’s cold,’ its ‘stifled air of small apartments.’ In this book she declares herself the daughter of a people who suffered and sang, worked and wept, speaking the language they remembered in. And so the daughter remembers for them, giving them a voice, and us a smudged window through which to see the burning world. A consummate craftsperson, Bedikian writes lushly, with power and force, creating images we cannot unsee. Open this book and read her poem ‘Before the Elegy, Speak to Her,’ and see what I mean.” — Dorianne Laux, author of Only As the Day Is Long

Lory Bedikian is the author of The Book of Lamenting, winner of the Philip Levine Prize for Poetry. Her poems have been published in multiple journals, including Tin House, the Adroit Journal, the Los Angeles Review, and Gulf Coast. She teaches poetry workshops in Los Angeles.

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